Слухам Buzz на asparagusproject скачать
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I've seen things like this before. There's some tiny nuance that the sax player is somehow not getting right. Although you and I can't hear what it is, it may be the very thing that will make the record a hit.
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Jerry Wexler did one recording of "Careless Whisper" with me. Then we re-mixed that, which meant re-shooting the video and then we completely re-did the track about four weeks before it was due to be released. When we originally made it I was totally in awe of Jerry Wexler and it was the first time that I had ever felt like that about anybody that I'd worked with. Usually I have trouble convincing myself that people know what they're doing. In this case I had to get drunk in order to sing, I was so nervous. Anyway, my publisher [Dick Leahy] and I had loads of discussions about whether the record was good enough for the song and whether there was enough of me in it because it just did not sound like me.
The song has been covered by a number of artists since its release, including Brian McKnight, Seether, Roger Williams, Kenny G and Julio Iglesias, among others. A contemporary pop song with R&B and soul influences, it features a prominent saxophone riff composed by Michael and played by Steve Gregory. It became a commercial success, topping record charts in at least ten countries and selling about 6 million copies worldwide—2 million of them in the United States.
After Wexler booked the top saxophone player from Los Angeles to do the famous solo: "He arrived at eleven and should have been gone by twelve," said Wham! manager Simon Napier-Bell. "Instead, after two hours, he was still there while everyone in the studio shuddered with embarrassment.
"I have no idea, but it's ironic that this song - which has come to define me in some way - should have been written right at the beginning of my career when I was still so young. I was only 17 and didn't really know much about anything - and certainly nothing much about relationships."
That same day we signed it all away. But you can never really know what you are capable of, you can never really have that foresight."[22]
"When I was twelve, thirteen, I used to have to chaperone my sister, who was two years older, to an ice rink at Queensway in London," he explained. "There was a girl there with long blonde hair whose name was Jane.
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"Once the tape was put back to the normal speed, a 'unnatural' saxophone sound was created that sounded a bit like an Alto in the Paul Desmond vibe, but lacking a bit more depth and darkness to the sound.
@phoog Yes, the composer and the artist can of course have nothing to do with each other. I just find this song curious since it was first released as a Wham! song on "Make it Big" and then as a George Michael single despite being basically the same!
He was unable to do anything about the "Club Fantastic Megamix" because it was already released material. He said: "We knew how big that song could be, so it was necessary to upset a few people to stop it."[26] Towards the end of 1983, Michael was also committed to touring with Wham! to promote Fantastic, so according to him it would not have made sense to release "Careless Whisper" as a solo single in the middle of the tour, despite it being part of the setlist.[27]
I didn't have a proper note on my saxophone, I had what we call a fake fingering I had to do to play it. So it didn't really sound that smooth. It didn't sound that great. And so having been around for a while, having had a bit of experience, I suggested to him, I said, 'look, if you took it down by a semitone, a very small amount, I'd have all the proper notes on my horn and we could see how it sounds. So that's what he did, he sort of did his calculations and took it down a semitone, so I went out again and I played it in a lower key and when after I finished it I went back into the control room and he played it back and he put it back up to the proper speed, and as he was playing it back, George walked into the studio, and he said 'Oh, I think we got it!' Then he pointed at me and said, 'You are number 9!'"
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However, George was unhappy with the version that was originally produced by Wexler, and he decided to re-record and produce the song himself, which ended up being the version that was released.